An ancient sacred powder amulet (พระเนื้อผง) from Wat Phra Chetuphon Wimonmangkhalaram, commonly known as **Wat Pho, Tha Tien, Bangkok**, recognized among collectors and devotees by the name **"Phra Phong Kraduk Phi"** (พระผงกระดูกผี), associated with **Phra Ajarn Nu**, and documented as an amulet created during the era of the Indochina War. The defining characteristic of this amulet series lies in its **distinctive sacred powder composition and constituent materials**. According to information and accounts passed down through generations, it is said that a variety of aged powders and sacred materials were blended during its creation, including the particular material that gave rise to the name "Phra Phong Kraduk Phi," reflecting the beliefs and esoteric craftsmanship of ancient sacred object creation. Amulets produced during that period were frequently created amid conditions of civil unrest, and as such, a body of belief and oral tradition exists among devotees regarding their spiritual virtues in the areas of **protection, evasion of danger, warding off harm, and bringing auspiciousness to those who venerate them**. Beyond their value as objects of faith, this series of sacred powder amulets also holds appeal as **historically significant antique amulets** that reflect the methods of creation, material composition, and belief systems of people living through the Indochina War era. They are well suited to those who appreciate vintage amulet lineages, sacred powder amulets, and collectors drawn to sacred objects with their own distinctive stories. **Summary Details** * Type: Sacred powder amulet / Antique sacred object * Name known in collector circles: Phra Phong Kraduk Phi * Temple: Wat Pho, Tha Tien (Wat Phra Chetuphon Wimonmangkhalaram) * Monk/Associated figure per transmitted accounts: Phra Ajarn Nu * Period referenced: The Indochina War era, 1941–1942 * Beliefs: Protection, evasion of danger, warding off harm, and enhancement of auspiciousness * Notable features: Aged sacred powder composition, materials and construction methods consistent with ancient sacred object traditions, valued both as an object of faith and as a collector's piece